This is one of a number of pamphlets on life in the French cavalry produced under the series title of "Illustrated Teaching Books" (1884-5) by the team of ex-army fencing master, Romuald Brunet, and illustrator, E. Chaperon. Other titles in the series examine the exercises used to train troopers to use lancers and carbines from horseback and cover aspects of campaign and barracks life.
Captain Romuald Brunet earned his title at the Joinville Academy and was a fencing instructor in the French army. On leaving the army, he wrote these pamphlets, an instructional text on pointe and contre-pointe fencing, and lectured widely on fencing as an activity which builds character. This well illustred pamphlet provides an overview of the methods for training cavalry troopers in the use of the sabre, both on foot and on horseback. It provides a fascinating glimpse into the use of the sabre on the battlefield rather than only in the training salle.
The Archives of the Masters of Arms of Paris collects documents and anecdotes related to the guild which regulated fencing in the capital from 1567-1792.
Two of Corthey's influential books, a history of fencing and improvements to the dueling sword combined in one volume.
The Fencing Manual was the basis of compulsory training for the infantry and cavalry of the French Army in 1877 until its replacement in 1908.
La Canne was taught in military academies and in public schools. This volume presents two mid-century methods for learning the canne.
Jean de Brye's manual for fencing coaches showing how to break down the discipline into four broad stages of development.
Henry de Sainct Didier's fencing treatise for transitional rapier first published 1573, the first French fencing manual.
Joseph Tinguely wrote his Manual of Contre Pointe Fencing when the sabre, a thug's weapon, was being introduced into the academic discipline of fencing. Foreword by Julien Garry of De Taille et d’Estoc.
Episode from the History of SorcerorsAndré des Bordes, French fencing master under the dukes of Lorraine, and his trial on charges of witchcraft.
Found in a famous collection of 19th century folklore, The Phantom Cavalier who Fought a Duel is one of the more bizarre examples of 17th century tracts against dueling.
The script of George Eekhoud's public performance in Brussel, 1894, at which Alfred Hutton and the London Rifle Brigade was invited to perform.
A transcription Marc de la Beraudiere's Le Combat de Seul à Seul en Camp Clos 1608 which lists who can and cannot undertake a duel and the rules by which they must abide. (French)
One of the few surviving texts about fencing from during the time of the Napoleon, L'Escrime, Appliquée à l'Art Militaire is a unique snapshot of the history of fencing in France. (French)
The text describes basic fencing before showing how it should be applied to training platoons and companies of soldiers. Very few sources show the military use of fencing skills.
The Science of Arms in the Cavalry: Sabre Exercises is one of a number of pamphlets on cavalry life written by ex-army fencing master Romuald Brunet.
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